Yukee Nookiguak
STANDING BEAR, 1977
Yukee Nookiguak (b. 1948), Qikiqtarjuaq (Broughton Island)
STANDING BEAR, 1977
ivory
, no visible signature; pinned to acrylic base; accompanied by a "Canada Eskimo Art" tag inscribed "Jukee Nookiguar / Broughton Isl. / 1977 / Ivory bear"
including base 3.5 x 2 x 2 in — 8.9 x 5.1 x 5.1 cm
Provenance:
Collection of Dr. Norman Epstein, Toronto, ON
Note:
About the Collector
This lot is one of 145 works in the present auction from the lifetime collection of Dr. Norman Epstein, which includes over thirty diverse depictions of bears from some of the most notable artists of the subject.
Asked about the reason for his special interest in carvings of bears Dr. Epstein replied: “because they are proud, and they are good luck.”
Among the first generation of passionate Canadian collectors of Inuit sculpture, Dr. Epstein acquired his first artwork from the Canadian Guild of Crafts Shop in Montreal in 1956. He would go on to purchase important Inuit artwork guided by pioneering figures in the Canadian art scene including Avrom Isaacs, Harold Seidelman, and M.F. (Budd) Feheley. Dr. Epstein however remained true to his own sensibilities and personal preferences, building a varied collection around themes such as mothers and children, miniature ivories, and depictions of bears. Notably his collection was almost solely composed of sculpture, preferring the medium's “tactility” and “spiritual warmth” over Inuit graphics.
Exhibiting artworks at his offices for the enjoyment of his patients, Dr. Epstein also actively lent to several provincial and national exhibitions. Part of a firm conviction for Dr. Epstein about the cultural value of his chosen collecting field, he stated plainly in a 1990 interview with Inuit Art Quarterly, “Inuit art is a Canadian heritage”.
By the 1990s, Dr. Epstein was making fewer changes to his collection. While often shared with the public, the collection was also deeply personal for him, treasured through its many iterations over 60 years. Dr. Epstein notes of his sculptures at the close of the article, “I love them so much, which may be a sickness for which there is no cure”.
Estimate: $200—300
STANDING BEAR, 1977
ivory
, no visible signature; pinned to acrylic base; accompanied by a "Canada Eskimo Art" tag inscribed "Jukee Nookiguar / Broughton Isl. / 1977 / Ivory bear"
including base 3.5 x 2 x 2 in — 8.9 x 5.1 x 5.1 cm
Provenance:
Collection of Dr. Norman Epstein, Toronto, ON
Note:
About the Collector
This lot is one of 145 works in the present auction from the lifetime collection of Dr. Norman Epstein, which includes over thirty diverse depictions of bears from some of the most notable artists of the subject.
Asked about the reason for his special interest in carvings of bears Dr. Epstein replied: “because they are proud, and they are good luck.”
Among the first generation of passionate Canadian collectors of Inuit sculpture, Dr. Epstein acquired his first artwork from the Canadian Guild of Crafts Shop in Montreal in 1956. He would go on to purchase important Inuit artwork guided by pioneering figures in the Canadian art scene including Avrom Isaacs, Harold Seidelman, and M.F. (Budd) Feheley. Dr. Epstein however remained true to his own sensibilities and personal preferences, building a varied collection around themes such as mothers and children, miniature ivories, and depictions of bears. Notably his collection was almost solely composed of sculpture, preferring the medium's “tactility” and “spiritual warmth” over Inuit graphics.
Exhibiting artworks at his offices for the enjoyment of his patients, Dr. Epstein also actively lent to several provincial and national exhibitions. Part of a firm conviction for Dr. Epstein about the cultural value of his chosen collecting field, he stated plainly in a 1990 interview with Inuit Art Quarterly, “Inuit art is a Canadian heritage”.
By the 1990s, Dr. Epstein was making fewer changes to his collection. While often shared with the public, the collection was also deeply personal for him, treasured through its many iterations over 60 years. Dr. Epstein notes of his sculptures at the close of the article, “I love them so much, which may be a sickness for which there is no cure”.
Estimate: $200—300
Auction Results
| Auction Date | Auction House | Lot # | Low Est | High Est | Sold Price |
|---|---|---|---|---|---|
| 2026-09-24 | Waddington's | 127 | 200 | 300 | 150.00 |
