Abraham Etungat, R.C.A., ᐊᐃᐊᔭᑲ ᐃᑐᒐ
BIRD WITH UPSWEPT WINGS, 1978
ABRAHAM ETUNGAT, R.C.A. (1911-1999), ᐊᐃᐊᔭᑲ ᐃᑐᒐ, CAPE DORSET / KINNGAIT
BIRD WITH UPSWEPT WINGS, 1978
stone, signed in syllabics
9 x 8 x 2.5 in — 22.9 x 20.3 x 6.4 cm
Provenance:
a Montreal private collection
Note:
Out on the land, I have seen birds resting. They’re so beautiful with wings raised, stretching. I’ve looked at birds in flight and thought about carving them, but it’s too difficult (see Blakeman below).
Abraham Etungat was elected to the Royal Canadian Academy in 1978 and was granted at least seven solo exhibitions in his lifetime. Although his subject matter was quite varied (animals of all types as well as humans) it is his birds that have become famous with collectors. Depictions of birds in this particular pose by Etungat are popularly known as “Birds of Spring” in reference to the three large bronze replicas (in Toronto, Vancouver and Calgary) of a carving so titled by the artist. This graceful version is particularly refined in its execution and positively majestic in its pose.
References: for other beautiful examples of Etungat birds see Ingo Hessel, Arctic Spirit, Heard Museum, 2006, cat. 68; Jean Blodgett, Selections from the John and Mary Robertson Collection of Inuit Sculpture (Agnes Etherington Art Centre, 1986) cat. 18. See also “Abraham Etungat, Master Sculptor” and Evelyn Blakeman, “Etungat at Home: Notes from an interview” in Arts & Culture of the North, Spring 1981, pp. 328-330.
Estimate: $2,500—3,500
BIRD WITH UPSWEPT WINGS, 1978
stone, signed in syllabics
9 x 8 x 2.5 in — 22.9 x 20.3 x 6.4 cm
Provenance:
a Montreal private collection
Note:
Out on the land, I have seen birds resting. They’re so beautiful with wings raised, stretching. I’ve looked at birds in flight and thought about carving them, but it’s too difficult (see Blakeman below).
Abraham Etungat was elected to the Royal Canadian Academy in 1978 and was granted at least seven solo exhibitions in his lifetime. Although his subject matter was quite varied (animals of all types as well as humans) it is his birds that have become famous with collectors. Depictions of birds in this particular pose by Etungat are popularly known as “Birds of Spring” in reference to the three large bronze replicas (in Toronto, Vancouver and Calgary) of a carving so titled by the artist. This graceful version is particularly refined in its execution and positively majestic in its pose.
References: for other beautiful examples of Etungat birds see Ingo Hessel, Arctic Spirit, Heard Museum, 2006, cat. 68; Jean Blodgett, Selections from the John and Mary Robertson Collection of Inuit Sculpture (Agnes Etherington Art Centre, 1986) cat. 18. See also “Abraham Etungat, Master Sculptor” and Evelyn Blakeman, “Etungat at Home: Notes from an interview” in Arts & Culture of the North, Spring 1981, pp. 328-330.
Estimate: $2,500—3,500
Auction Results
| Auction Date | Auction House | Lot # | Low Est | High Est | Sold Price |
|---|---|---|---|---|---|
| 2019-05-28 | First Arts | 34 | 2,500 | 3,500 | 2,400.00 |
